The Contemporary Museum of Calligraphy, a heart of the national fine writing community, demonstrates the works from diverse ethnic schools, delivers an educational mission, preserves the heritage and holds grand international events.
China Friendly, a programme designed to ensure comfortable stay for Chinese tourists, includes a list of facilities that meet all needs in regards to high quality business and tourist services
The founder and owner of the museum, Vladimir Deryabkin, is a former circus performer, trainer, and collector. Lyudmila Deryabkina, the guide and Vladimir’s spouse, talks about the exhibits, the founder, and how they manage the museum.
In ancient times, when paper was not available to the literate class, they used to produce their writings in engraved form, on rocks, stones, coins etc. Later on when paper was invented, doors were left open for calligraphists to meet their needs and exhibit their artistic skill.
Hanxiang Calligraphy Education, a Chinese calligraphy training school, recently hosted an exhibition of the excellent works created by its students at the Riverside Art Museum from Nov. 2 to 4.
The Great Chinese Calligraphy and Painting, a large-scale exhibition project organized by the Contemporary Museum of Calligraphy, has gained support and recognition from key federal ministries and agencies.
Calligraphers today have multiple tools at their disposal, including digital means to preserve their beautiful work. Hundreds of years ago, they weren’t as fortunate.
The Contemporary Museum of Calligraphy has been visited by Anna Donchenko, a research fellow at the Institute of Far Eastern Studies of the Russian Academy of Sciences, member of the Russian-Chinese Friendship Society. Her research focus lies on contemporary Chinese art.
Calligrapher magazine was lucky to interview Viktor Novikov. Novikov is engaged in illustration, iconography and calligraphy, and teaches fine writing in the Town Center for Creative Leisure at the Russian Palace of Interests in Sergiev Posad. The artist shared the story of his creative formation, spoke about the connection of calligraphy with other arts, shared the history of the “Bukvalno” exhibition, and gave some tips to beginners.
Yushaa Abdullah, a Nigerian calligrapher who studied the art in Turkey, now decorates mosques all across the West African country.
From October 30 to November 3, the Manezh exhibition hall of the museum-reserve Kazan Kremlin hosted the “Days of Culture of Japan in the Republic of Tatarstan” cultural event.
The Calligrapher magazine met with an outstanding Russian Islamic calligrapher Vladimir Popov for an interview in his cozy workshop apartment.
Pushkin Institute Research, Education and Coordination Centre of South Ural State University has announced a contest on Russian calligraphy among pupils and students of the People’s Republic of China.
A cozy little studio in Krasnodar is home to the “Master from A to Z” calligraphy school. The Calligrapher magazine visited Leonid Pronenko, Professor and the Honoured Artist of Russia, who teaches at the school, for an interview. The master spoke about his journey into the world of calligraphy, shared some secrets of the profession, and his vision of art today.
On Tuesday, an adorable lady from the Iranian city of Shiraz visited the museum. Mahnaz Jabri holds a master’s degree in graphic design, specializes in modern calligraphy, teaches, and works with different companies.
More than 40,000 people have flocked to see the world's largest calligraphy of popular Buddhist scripture the Heart Sutra, drawn by a calligrapher with Down's syndrome and displayed at a central Japan temple since last November.
On October 20, the Contemporary Museum of Calligraphy opened courses for kids on the art of beautiful handwriting. More and more parents are realizing the importance of good and legible handwriting in the modern age.
On October 9, 2018, the Cultural Centre of the Republic of Korea saw the opening of a calligraphy exhibition by the Professor and calligrapher Kim Pyong-Ki from the Chonbuk National University.

The Contemporary Museum of Calligraphy has just received a parcel from faraway Australia. Our friends from the Calligraphy Society of Victoria sent us two copies of their magazine called Postscript. The cover has works by two renowned Russian calligraphers, Yuri Koverdyayev (“Application to Become a Member of the National Union of Calligraphers”) and Ilya Bogdesko (“Sketch. Easel Graphics. Monumental Art”, “Literature”, and “Michelangelo”).
The Sini style of calligraphy which is Islamic Khat, which is Islamic line, design, or construction, mixed with Chinese symbols, and is a rare art form practiced by only a talented few in the world today.
On October 13 and 14, one of the outstanding masters of the pointed pen, Michael Sull, held a workshop on the Spencerian script at the Contemporary Museum of Calligraphy. He spoke of the origins and development of the historic American calligraphy script, and after the workshop participants practiced writing lower-case and capital letters of the Spencerian script. Special attention was paid to the different variations of writing capitals, and also a special block was dedicated to Flourishing, i.e. decorative calligraphic elements.
12 сентября команда Современного музея каллиграфии вновь посетила галерею Beijing Red Crag Culture & Media Co. художника Янь Хунъяня. Руководитель галереи, господин Гао Хайминь, рассказал о проекте «Звезды экрана – каллиграфы», на тему которого был показан небольшой фильм, а затем каллиграф У Чуаньхуай вместе со своими коллегами провел мастер-класс
As the new season begins, the Contemporary Museum of Calligraphy continues the tradition of holding charitable museum tours for special visitors. In early October, the museum welcomed elderly visitors from the Sofia Charity Foundation for the Promotion of the Human, Society, and Culture.
Man′s beauty is in the beauty of his writing.