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Jovanka Sorgic

Jovanka  Sorgic

Jovanka Sorgic

Novi Beograd, Serbia

Calligrapher

Biography

“I was born in Šibenik, in Croatia and I live and work in Belgrade. I finished secondary school of mechanical engineering and for years did work related to engineering industry, but the love for calligraphy has always dwelled inside me”.

“From 2002 to 2006 I attended classes at the calligraphy school in the St Aleksandr Nevski Cathedral of Belgrade. With a lot of effort and hard work I collected required material and had my first collective exhibition in 2006, in Belgrade. My wish is to spread the knowledge of calligraphy and that’s why as part of each one man show I organize an open master-class for interested visitors. I have been engaged as a calligraphy lecturer on several projects regarding extra curriculum activities. Since 2008 I have been a full time calligraphy teacher at Studenica summer camp that is intended for school children from Serbia and Serbian diaspora, and is held at the monastery of Studenica.

ONE MAN SHOWS:

2009. Cultural centre, Novi Banovci, Serbia
2008. Center for culture, Arilje, Serbia
2008. Center for culture, Ivanjica, Serbia

GROUP SHOWS:

2009. Cultural centre ,Stara Pazova,Serbia
2008. Centre for culture, Šabac, Serbia
2006. House of Đura Jakšić, Belgrade , Serbia

MY WORK

With the aim of preserving cultural and spiritual heritage and the Cyrillic alphabet as one of the primary characteristics of a national identity I write my works using the Cyrillic alphabet which is a rarity in calligraphy art. Through these works I tend to cherish and continue the values of beautiful handwriting which are deeply rooted in Serbian traditional art. Furthermore, these works are connected with the art of icon-painting, and in the past they were united. This is one more reason why my works are written by means of the traditional Cyrillic alphabet for they are of biblical and spiritual content. At the same time I’m engaged in new reading of letters and text, experimenting with the modern visual language and materials. Concerning the form I largely recur to modern painting elements. I hope with all my heart that my work will contribute to saving calligraphy as art from oblivion.

Author works

Exodus to Egypt

Pastel paper, ink, egg tempera, gold, steel pen, 29x47 cm, 2010

Happiness

A combined technique, ink, a steel pen, size 40x30 cm, 2009

Virgin Mary

Pastel paper, ink, golden ink, golden powder, steel pen, size 46x76 cm, 2008

Illusion

Hammer paper, ink, cane, size 42,5x67 cm, 2008

Alphabet

Surface made of plaster and straw on wooden foundation, coloured by oil paint, letters written by a paintbrush and also oil paint, size 43x63 cm, 2009

Home

Pastel paper, toned by oil paint, ink, steel pen, size 29x32 cm, 2009

Troparion

Pastel paper on wooden foundation, temper, golden powder, reed, ink, size 27x36 cm, 2009

Victory of Love

Parchment paper, steel pen, post wax, saten bar, size 28x40 cm, 2009

The window

Drawing paper , ink and coal, a steel pen,size 22 × 28 cm, 2006

Hights

Pastel paper ,ink,coal, gold powder,cane, size 37х53 cm, 2008

Blessing

Papyrus, ink,tempera,paint brush,a steel pen,size 20 × 28 cm, 2007

A roll

A combined technique ( paper and plaster of Paris) on wood , painted with tempera, a steel pen, size 31 × 52 cm, 2008

The Anthem of Love

Hand-made paper, ink, steel pen, 40x47 cm, 2010

The Lord is My Shepherd

Papyrus, handmade paper, rattan, Indian ink, 35x45 cm, 2010

The Lord's Prayer

Pastel paper, ink, egg tempera, gold, steel pen, 42x60 cm, 2010

Glory to God in the highest...

Parchment paper, steel pen, post wax, satin bar, 29x39 cm, 2009

Triptych. Part 1. Glagolistic script.

Paper, ink, egg tempera, 40x30 cm, 2012

Triptych. Part 2. Cyrillic script.

Paper, ink, egg tempera, 40x30 cm, 2012

Triptych. Part 3. Roman script.

Paper, ink, egg tempera, 40x30 cm, 2012
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Calligraphy is the flower of a man′ s soul.