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谢姆琴科•帕维尔•阿法纳西耶维奇

谢姆琴科•帕维尔•阿法纳西耶维奇

谢姆琴科•帕维尔•阿法纳西耶维奇

明斯克,白俄罗斯

艺术家-书法家,教授,"精神复兴奖”得主

Cognitive calligraphy

Cognitive calligraphy

Absorbed by scientific and technical achievements of computerization, we have somehow lost and forgotten something substantial, which is inherent in a person in the first place, which played a major part in his/her evolution – the graphic form of language. The dialogue as to what came first – a verbal word or a graphic sign – is still not over. Obviously, the right statement is that this phenomenon has always been a dual one. It won’t be an exaggeration to say that what the speech is, such is the writing, and vice versa. Just one example: such subject as rhetoric was eliminated from the school curriculum; and calligraphy disappeared some time later. The meaning of the word and the thought was devalued. Expression, primitivism, and functionalism emasculated the culture of communication. They denied graphic writing the opportunity to improve artistically, and a person, to improve spiritually, by the simplest means, using paper, ink and a fountain pen or only a brush. But let’s be optimistic: not everything is lost. In certain countries, for instance in Japan, China and the UAE, this line of writing develops and has never been interrupted, and calligraphy was and is the main type of art. We are grateful to those enthusiastic masters who, despite circumstances, preserve and continue to improve the graphic of a letter, word and text to a level of a creative work.

Beauty of calligraphy

作者的作品

《加入全国书法家协会会员申请》

黑纸,白墨水,尖笔头钢笔,24.9x32.8厘,2009年

《没有一天不划线》,书法卷轴

纸,油墨,钢笔,3000x60厘米,2008年

《歌曲》

根据密茨凯维奇作品创作的具象书法作品
纸,水胶颜料,钢笔,70x100厘米,2008年

《波罗金诺的秋天》

根据普希金作品创作的具象书法作品
纸,水胶颜料,钢笔,70×100厘米,2008年

《字体图形的基础知识》

"高等学校"出版社,明斯克,96页,17х24厘米,1978年

《莫斯科国际关系学院院长托尔库诺夫•A.V.》

纸,墨水,钢笔,30x40厘米
返回目录
距开幕只剩 436 days
智慧的想法
书法创作结束,但思想不会终止。