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瓦尔拉莫娃•奥尔加•安德烈耶娃

瓦尔拉莫娃•奥尔加•安德烈耶娃

瓦尔拉莫娃•奥尔加•安德烈耶娃

圣彼得堡,俄罗斯

书法家、格拉费卡艺术家

Beauty of calligraphy

No one would deny the beauty of calligraphy. What is the secret of this beauty and is it the beauty which is the reason for attractiveness of the art? Let us consider these questions.

Calligraphic pages give us unprecedented joy and feeling of soaring. However, in this case beauty can be reasonably explained.

Calligraphy is a kind of graphic art where the line plays the crucial role: its direction, course, thickness and character of edges. Properly following the flow of a line we feel the movement of an artist’s hand.

Details and nuances are of great importance in calligraphy. A tiny shift and change in form give a feeling of movement or calmness, sharpness or softness.

Second, I would like to talk about the charming beauty of calligraphy as an activity and consider it from the view point of a person engaged in this activity.

First I see a white or black sheet of paper, put a dot and start a line. And then the line as if starting to grow, a calligraphic instrument starts dancing and a flat sheet becomes three dimensional. Calligraphy studies are the creation of a new world. When I create a calligraphic composition I am completely absorbed by the space of the sheet.

Third, it is worthwhile mentioning here the positive influence of calligraphy on the environment.

The beauty of calligraphy is not passive; it is the kind of beauty which encourages the creator to change oneself and the world. Otherwise calligraphy wouldn’t have been attributed the sacred mission by various nations.

A close interrelation between work on the letter and work on oneself is clear when one starts to improve an autograph. An autograph is like an auto portrait. One can hate one’s autograph and use it every day. An ugly and alien in character autograph is a big problem. First it is necessary to see in a disharmonic autograph a germ of future beauty which can be absolutely unpredictable. I think that most of us are not eager to fully change oneself or refuse oneself – we have a lot of kindness in us. We mustn’t really change our autographs but use the good sides of them and get rid of unpleasant things in them. This is the way to preserve an autograph’s individuality and improve its evil character. Polishing our autographs we work on ourselves. The same with handwriting.

As far as we are dealing with all kinds of scriptures, words and texts every day, the beautiful calligraphy can be present everywhere whenever we want it to be. A calligraphic form very well conveys the meaning of the word and the form of its signs can reflect any event.

A human being engaged in calligraphy never goes into the shell of one kind of art. In my case the beauty of calligraphy stimulated my interest in music and poetry. Calligraphy studies is not an escapism but the clue to self-improvement in other spheres as well.

Olga Varlamova,
St. Petersburg, Russia, 2009

作者的作品

诗篇第8首

博物馆藏用纸,黑色、彩色书法墨水,羽毛笔,毛笔,尺寸39,5х60厘米,2010年

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藏书票。彩色纸,墨水,尖笔,尺寸8,85х24,49厘米,2009年

瓦列里•加奇科夫神父与妮娜妈妈的藏书

藏书票。彩色纸,墨水,尖笔,尺寸9,78х23,3厘米,2009年

马克西姆•特奇科夫的藏书

藏书票。彩色纸,墨水,尖笔,尺寸3х6,5厘米,2009年

博洛维奇圣灵修道院藏书

藏书票。彩色纸,墨水,尖笔,尺寸8,9х9,05厘米,2009年

诗篇第一百四十一首

根据罗曼修士司祭的诗创作的书法作品。纸,黑色与彩色墨水,尖头金属笔,尺寸40х60厘米,2009年

幸福的诫命

彩纸、墨水、金属宽尖羽毛笔、绘图笔 29x40厘米 2009年

项目使命 打造一个美好、健康的社会

纸、黑色墨水、金属尖头羽毛笔 42x29.7厘米 2008年

书法 项目宗旨——恢复俄罗斯被遗忘的书法艺术。

纸、黑色和彩色墨水、金属尖头羽毛笔 29x37厘米 2008年

复活节

黑纸,水胶颜料,水彩,色粉,毛笔,绘图笔,尺寸28х50厘米,2009年

字帖 第一部分

圣彼得堡 20x29厘米 2008年

最高荣耀归于上帝……

纸、彩色墨水、羽毛笔 29x41厘米 2009年

创造世界

纸、黑漆小罐、黑色墨水、白色彩画、修绘、粉笔、金属宽尖羽毛笔、绘图笔 42x29.9厘米 2009年

我们拥有值得保护的遗产

纸、黑色和彩色墨水、金属尖头羽毛笔 42x29.7厘米 2008年

阿利路亚 (罗曼•马丘辛修士司祭)

蓝纸,黑、白色墨水,尺寸56х43厘米,2008年

论据与事实

墨水、尖头羽毛笔和宽尖羽毛笔 42х29 厘米 2008年

但丁

纸、墨水、羽毛笔 29x41厘米 2007年

古俄罗斯草书

毛刷、羽毛笔、墨水 31x44厘米 2007年

我亲爱的太阳

黑纸,白色墨水,尖笔,尺寸32х50厘米,2008年

天王

棉纸,黑色、彩色书法墨水,羽毛笔,毛笔,尺寸28х56厘米,2010年

教会斯拉夫语连字体

蓝色硬纸,金色墨水,白色水胶颜料,宽笔尖,尖笔尖,细尖毛笔,尺寸35х67,5厘米,2010年

复活节书签

纸,水胶颜料,墨水,宽笔尖,尖笔尖,细尖毛笔,尺寸58х44.3厘米,2014年

“祈求和平 ” 三联

纸、墨水、水粉、彩色铅笔、金属宽尖羽毛笔、尖头毛刷 3联 46x65厘米 2014年

布鲁西洛夫攻势

纸,墨水,水粉,宽笔尖,尖笔尖,细尖毛笔,2015至2016年

纳瓦里诺海战

纸,墨水,水粉,宽笔尖,尖笔尖,细尖毛笔,405 х 510 毫米,2015至2016年
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