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博格杰斯科•伊利亚•特罗菲莫维奇
1923 – 2010

博格杰斯科•伊利亚•特罗菲莫维奇 <br>1923 – 2010

博格杰斯科•伊利亚•特罗菲莫维奇
1923 – 2010

圣彼得堡, 俄罗斯

书法家,苏联人民艺术家,教授

Art of Calligraphy

Nature often gives people an ability to experience the finer things. Some of them from childhood strive for music, others – for painting, ballet or architecture. But there are people who are inspired by a special sense, by sense of a fine letter. Calligraphy becomes a dream for them.

What does calligraphy mean? This word comes from the Greek language (“callos” meaning beauty and “grapho” meaning I am writing). Nowadays calligraphy is the art of making beautiful and elegant handwriting.

Calligraphy is a very ancient part of human history. Together with written language it has been improved for years. It is characterized by the constant aspiration for beauty. We perceive the sense of calligraphy, its aesthetic charm with especial trembling and awe. It is an invaluable heritage, the only professional school for those who are not indifferent to calligraphy, who want to improve their skills in this sphere throughout their whole life.

They say that if one wants to get good results in any kind of art he/she has to be gifted. Of course this will not harm their chances. But who can say from the very beginning that one has this talent? The most important thing is desire. If calligraphy attracts you, try to do your best and you will certainly find the talent which is sure to be on the other side of great labour.

Equipment

Working place

Calligraphy demands concentration, comfort and silence. It is good to have your own table somewhere near a window with the appropriate day- and evening-light. There should be enough space on the table for your writing-materials: plane-table and desk 50×70 cm, tools and paper. It is better to have a desk with a changeable inclination. You will also need one rough sheet of paper in order not to soil the original text with an accidental blot.

Paper

For calligraphic works smooth glossy paper is usually used. On such paper a wide-foot pen leaves more elegant, beautiful, and clear strokes.

Good paper inspires an artist. We would like to bring your attention to the fact that in calligraphy before drawing the first letter you should look at the whole sheet of paper appreciating not only its physical characteristics but as a graphic surface as well. First imagine what you are going to write on it, think about where to write the future elements, how the blank margins will help to express the sense of future images.

Ink

Chinese ink is known to be the best. It looks like a little bar. It is ground to powder on a special stone or on frosted glass adding some distilled water. This ink trickles down from the pen well and has a nice rich tone. Ink from bottles must be diluted with water, or because of its stiffness you risk getting rude ugly letters. From time to time shake the bottle with ink. In many shops you can find special calligraphic colour ink. It easily flows down from the pen and has nice tints.

For beginners I have a piece of advice: try to prepare ink yourselves using soot, barks, rinds of walnut and pomegranate, etc. Sometimes you will get such unexpected and tender colours which you will never find on sale.

Wide-Tip Pens

In the picture you see different kinds of wide-tip pens, a double pencil and a peaked pen. The first pens are produced by foreign companies as complete sets, with different widths of the writing part. The width varies from 0,5 mm to 5 mm and more. Do not despair if you have not got manufacturing pens. Instead of them you may use pens made from reed or from feathers.

After all if you do not have a good pen you may even use a wooden chip of which you can make a tool imitating a real pen.

作者的作品

Amat victoria curam (胜利热爱努力)

纸、墨水、笔,2003-2004年

Sapere aude (敢作敢为知道)

纸、墨水、30x21厘米,2002年

Dimidium facti, qui coepit facit (利哈伊的麻烦—开始)

纸、墨水、24х26厘米, 2002年

Laboremus(让我们开始工作)

纸、墨水、17,5х10厘米, 2002年

粗面石

纸、墨水、笔, 25х20厘米, 2003-2004年

斯拉夫报纸

纸、墨水、笔,30x17厘米, 2001年

书法(Calligraphy)

草书,宽尖羽毛,墨水,39x29厘米

书法 (书)

AGAT出版社,圣彼得堡, 21x28厘米,2006年

Amazing uncial

纸、墨水、42х31厘米,2008 年

插画

蚀刻,28x39厘米,1991年

钱包里还剩两块钱(书)

“文学艺术家”出版社,基什尼奥夫, 发行量5万册,15x23厘米,1977年

«Master Manole» 纸页

“文学艺术家”出版社,基什尼奥夫, 发行量5万册,15x23厘米,1977年

«N» 纸页

书法花文字,墨水,宽尖金属笔,15x19厘米

«但唐吉诃德只是看着...» 纸页

黑色墨水,红色水粉,宽尖羽毛,28x39厘米

纸页5

黑色墨水,红色水粉,宽尖羽毛,24х34厘米

纸页56

黑色墨水,红色水粉,宽尖羽毛,25х35厘米

«唐吉诃德» 纸页(“在这个故事的第二部分...)

图片—蚀刻画,文本—草书笔迹,宽笔尖金属笔,59х36厘米

«唐吉诃德» 纸页(“从地上抬起唐吉诃德和...)

图片—蚀刻画,文本—草书笔迹,宽笔尖金属笔,50х36厘米

«赞美愚蠢» 纸页 (“比要求的要少得多...)

绘图-蚀刻,文本-宽笔尖金属笔,黑色墨水,红色水粉,字体-人道主义的斜体字,36x31厘米

«赞美愚蠢» 纸页(“有些人在棺材里看...)

图画 - 蚀刻画, 文本宽笔尖笔,黑色墨水,红色水粉,作者哥特式字体风格,31x26厘米

«赞美愚蠢» 纸页(“但最愚蠢、最肮脏的是...)

图画 - 蚀刻画, 文本宽笔尖笔,黑色墨水,红色水粉,字体-人道主义的斜体字,32x28厘米

«赞美愚蠢» 纸页(封面)

图画 - 蚀刻画, 文本宽笔尖笔,黑色墨水,红色水粉,作者对哥特式的解释,32x28厘米

文学

字体组成,宽尖笔,30x23厘米

«Master Manole» (书)

“文学艺术家”出版社,基什尼奥夫, 21х29厘米,1986年

米开朗基罗

白纸、白色水粉、宽边羽毛、文字。 “..让他们奋起反抗邪恶,克服疑虑和痛苦”,31x17厘米

图画。画架图形。建纪念碑的艺术

黑色纸,白色水粉,宽尖羽毛,准备印刷(用黑色墨水完成),29x34厘米

摩尔多瓦人

照相复制品。原件:宽尖羽毛,古俄罗斯字体组成,摩尔多瓦文字,19x26厘米

字体

草书笔迹,宽笔尖笔,墨水,准备打印(白色水粉整理),31х22厘米

铅字结构

宽头羽毛,黑色纸,白色水粉,准备印刷(用黑色墨水和白色水粉整理),胶印,39x27厘米,1984年

铅字结构 2

宽头羽毛,黑色纸,白色水粉,准备印刷(用黑色墨水和白色水粉整理) 28,5x40,2厘米,1983年

字体

古俄罗斯字体组成,墨水,宽尖羽毛,29x43厘米,1984年
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“书法不是耳朵的音乐,是眼睛的音乐”。V.V.拉祖尔斯基