Form is also colour.
And colour is also form.
No colour, no form.
No form, no colour.
If you bring paint to paper, it will be confined by a form.
If you bring a form to paper, it will be born only with colour.
The easiest way: black on white.
The unusual way: white on black.
From white to black is the way from living in this world to go away from living in this world.
White is coming from the other side of living. Black is going to the other side.
A white form on a black paper is like a newborn child trying to come into life.
Words written with white paint on black paper are looking for an answer, for coming in contact with the world and the reader in a very pleasant way.
When you hear or read, you can answer in yellow or red or blue. No need to answer in black.
When you answer in black on a white paper, your words are absolute. After the black nothing comes in this world. You go to a confrontation with black words. You can only answer with black words when you want to answer on the same level.
If you postulate, what to say, in blue everything will be possible to answer in a well done communication: yellow for bringing light in your answer, red for a powerful answer or also blue for being agree.
Knowing colour theories is helpful. But only knowing them is not enough. Feeling them is the way.
For a calligrapher the form is in the centre. For a painter the colour is in front. Great artist can manage both of them in an excellent work.
But anyway: only with colour we can make forms visible - and colour can only appear in a form.
文奇阿（书法类型） Ingres纸、中国水彩、自动笔 49x65厘米 1996年
环状文奇阿（书法类型） 水彩、两用笔、Ingres纸 49x65厘米 1998年
歌德体铅字 Ingres纸、两用笔、水彩 49x65厘米 2006年
书法：美丽书写艺术（Kalligrafie. Die Kunst des shonen schreibens）
宾达赫Gondrom Verlag GmbH出版社，2005年
书法：从形式到字母（Kalligraphie. Von der Form zum Buchstaben）