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帕拉夫•阿秋特

帕拉夫•阿秋特

帕拉夫•阿秋特

印度 孟买

书法家、设计师、乔治约翰爵士实用(商业)艺术学院编外工作人员(孟买大学)

Calligraphy - Expressing Beyond Words

What I am today is a byproduct of pursuing calligraphy. It has given me an identity. It has been a part of me since childhood. As a child I had taken it in the literal sense, calligraphy means good handwriting. But it was in my youth that I exploited it as an art and dedicated myself to expanding its horizons. My country, India, with its beauty of scripts, charming people, abundant nature, mesmerizing culture and religious tolerance has been an eternal source of inspiration.

Calligraphy is essentially an art form though in a literal sense its meaning is “beautiful handwriting”. The strokes when conformed to writing will give you various fonts and typesets but when one opens the inner eye and lets his imagination run wild, art masterpieces get created on plain canvases. When a person learns to write, he becomes literate and when he understands the essence of letters he transforms into an artist.

Calligraphy is equally beautiful in black and white as it is in colours. A true artist will manipulate its strokes to create paintings. To become a calligrapher one need not be good at drawing, nor have good handwriting. He just needs a broad mind, a yearning to see beyond the certain rigidity of letters that has been embedded in our minds.

Calligraphic creations are gaining popularity in commercial areas too. Calligraphic compositions have shown their potential equivalent to abstract or fine art ones. Similarly calligraphy has been experimented on and its application has transcended orthodox and various conventional and unconventional tools and mediums have been brought to use. The art has also been proved to have a high commercial quotient.

I have used calligraphy successfully in weddings, fashion, interiors, paper articles as gift items, cards, body painting, architecture, installations, ceramic, print and electronic media. I have even used calligraphy as a therapy for personality development. I have experimented with tools and media alike.

My low point has always been that, in India, a country that has such a wide range of beautiful scripts and a vast artistic heritage, people can be so ignorant and indifferent to calligraphy. I dream of the day when calligraphy is taught in schools around the world, alongside the subjects like art, craft and drawing. The need of today is to convey the same and take the knowledge and experiences of artists and calligraphers, gathered in their quest for calligraphy among the people who have a great potential of becoming the Next-Gen artists of the modern world.

作者的作品

智慧


Catrige纸、绘图墨水和Photocolor墨水、圆头画笔、喷漆枪、固标器 76.5х56.5厘米 2008年

神圣同伴

Catrige纸、Photocolor绘图墨水、圆头画笔、肥皂泡沫画笔 76.5х56.5厘米 2008年

阿克沙拉•查克拉(字母圈)

手工纸、绘图墨水、肥皂泡沫画笔、圆头画笔 56.5х76.5厘米 2008年

盘旋

手工纸、绘图墨水、肥皂泡沫画笔、草图铅笔 56.5х76.5厘米 2008年

力量 能量 无畏

Catrige纸、绘图墨水、泡沫轴、钢笔、彩色铅笔 56.5х76.5厘米 2008年

交响曲

手工纸、绘图墨水、肥皂泡沫画笔、圆头画笔、固标器 56х76厘米 2008年

天空之旅

手工纸、绘图墨水、肥皂泡沫画笔、圆头画笔、固标器 56х76厘米 2008年

主的预言

手工纸、绘图墨水、圆头画笔 70х106厘米 2008年

从Akaar到 Omkar

天域体梵文字母字体、纸、中国墨汁、钢笔和聚氨酯纤维圆头画笔 720х510毫米 2017年

内力

天域体梵文字母字体、纸、中国墨汁、金箔、水彩颜料、圆头画笔和钢笔 720х510毫米 2017年

Ek Taal

天域体梵文字母字体、纸、中国墨汁、可乐笔、圆头画笔720х510毫米 2017年

Guru Gaurav

天域体梵文字母字体、纸、中国墨汁、钢笔 720х510毫米 2017年

Jhap Taal

纸、中国墨汁、化妆铅笔、可乐笔 720х510毫米 2017年

雨中思绪

天域体梵文字母字体、纸、中国墨汁、圆头和平头画笔 720х510毫米 2017年

ОМ –内力

天域体梵文字母字体、纸、中国墨汁、钢笔 585х455毫米 2017年

Rupak Taal

纸、中国墨汁、可乐笔 720х510毫米 2017年

旅行

天域体梵文字母字体、纸、中国墨汁、钢笔 720х510毫米 2017年

«А»——天域体梵文字体首字母

天域体梵文字母字体、纸、中国墨汁、钢笔 585х455毫米 2017年
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距开幕只剩 1302 days
智慧的想法
书法——智慧的锻炼,心灵的良药