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瓦西里•汉纳诺夫

瓦西里•汉纳诺夫

瓦西里•汉纳诺夫

乌法,俄罗斯

书法家、艺术家、俄罗斯艺术家联盟会员、巴什科尔托斯坦共和国功勋艺术家、"成吉思汗"创意协会主任、纳伊里•拉特福凌巴什科尔托斯坦共和国当代艺术博物馆主任

My Calligraphy

My first experience in calligraphy dates back to 1994 when I was working on the Apocrypha Manuscripts cycle. Then I was trying hard to find an artistic solution for my own apocrypha which couldn’t have been included into the canonic Holy Writing.

However soon I came to realize that was much of the evil. It is a common thing when trying to allot some importance to their artworks that contemporary artists speculate over the holy scripts writing the obscure texts in their paintings.

Human beings are always in awe of incomprehensible symbols and scripts. I wasn’t going to speculate over this. In 1995 when starting to work on the Vahiya cycle dedicated to the Quran I was using the certain surahs and ayahs which duplicated the canonic texts of the Holy Book. The very titles of surahs could serve as sources of composition.
Within myself I was hoping that those who were interested in my painting would involuntarily pay attention to the holy texts and those who had never known the texts would anyway mark their high artistic value.

作者的作品

An-Nās (世人章)。《古兰经》第114个苏拉

画布、油画、画笔,92х60厘米,1996年。 (“启示”画集)

Al-Falaq (曙光章)。《古兰经》第113个苏拉

画布、油画、画笔,92х60厘米,1996年。 (“启示”画集)

Al-Ikhlas (忠诚章)。《古兰经》第112个苏拉

画布、油画、画笔,92х60厘米,1996年。 (“启示”画集)

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有光纸、金色记号笔、黑色墨水,21х28厘米,2009年。
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